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EVA16_TomFlanagan and Megs Morley_A History of Stone ,Origin and Myth_2016_HD Video, Colour ,Sound Image courtesy of Tom Flanagan & Megs Morley_Photo courtesy of Tom Flanagan & Megs Morley_2 edit 2

A History of Stone, Origin and Myth (2016), Tom Flanagan and Megs Morley, Photo courtesy of Tom Flanagan and Megs Morley

‘I grew up with that border and I wouldn’t want it back again…’ intones the septuagenarian taxi driver taking me from Shannon Airport to Limerick. He is speaking of the boundary separating British-governed Ulster in the north from the Republic of Ireland, which since 1998 under the terms of the Good Friday Agreement, abolished border controls, symbolically softening an 800 year-long conflict. Now, in the aftermath of June’s referendum, the border’s return seems inevitable:  a clear indicator of the disruption to the Irish peace process resulting from Brexit.

I am visiting EVA Interantional, Ireland’s biennale of contemporary art, coinciding this year with the centenary of 1916 Easter Rising, a calamitous event, which definitively swung popular opinion against the British Administration leading to the War of Independence and the constitutional division of the country.

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