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One of IWM’s recently-acquired garments, displayed for the first time in Fashion on the Ration. This mustard wool Utility coat made by Alexon is an example of wartime design at its best, featuring simple lines and minimal trimmings. © IWM UNI 14387.

IWM London’s headline exhibition for the spring and summer, Fashion on the Ration: 1940s Street Style, explores how the war impacted upon an intensely personal aspect of life on the home front during the Second World War.  What did people wear and how did this shape their sense of identity? How was fashion constrained by war? How did men, women and children cope with the demands and deprivations of shortages and austerity?

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The Official War Artist, John Keane, using a video camera to film British self-propelled artillery in training prior to the Ground Assault. © Ken Lennox/Mirrorpix (IWM GLF 1321).

A little known piece of the museum’s history is that the art collection was the principal reason cited in the House of Lords to acquire the Bethlem Hospital building in Lambeth, which is now the IWM London site.

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This white poppy (or ‘peace poppy’) was issued pre-1939 by the Peace Pledge Union and belonged to Ms A E Wood who was a conscientious objector. Her Conscientious Objector’s tribunal statement and registration card are held in the Department of Documents.© IWM (EPH 2284)

Sabine Grimshaw, a Collaborative Doctoral Award Student at IWM and the University of Leeds, discusses her research into female war resisters during the First World War.

Recently I had the opportunity to take part in a conference organised for International Women’s Day at Liverpool Hope University on the topic, ‘Women in Peace and Conflict.’ Embracing the theme ‘Make it Happen’, the conference offered a fascinating insight into the myriad ways women have participated in warfare, peace activism, conflict resolution and post-war state building in twentieth century conflicts.

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New Zealand troops in London

New Zealand troops, led by an army band, marching through a London street after the First World War.© Alexander Turnbull Library 

Anna Maguire reflects on the activities of New Zealand troops in the capital and the London and the First World War Conference, organised by IWM and the Centre for Metropolitan History (IHR).

London, the imperial metropolis and ‘mother country’, had great significance for the visiting colonial troops during the war. The capital had much to offer the visiting soldier and official guidebooks aimed to direct their tourist gaze and help them do proper justice to the opportunity, quite possibly the only visit to the capital they would ever make. 

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CRW Nevinson’s, Making Aircraft; Acetylene Welding, 1917. © IWM (Art.IWM ART 693).

Kathryn Butler, a CDP student at the IWM and Open University, discusses her reactions to the ‘Sensory War 1914-2014’ exhibition.

During a recent trip to the Manchester City Art Gallery, I was intrigued to see the results of several great individuals and institutions working together as part of this year’s First World War Centenary commemorations. Sensory War 1914-2014 was co-curated by Dr Ana Carden Coyne, a director at the Centre of the Cultural History of War at the University of Manchester, where I studied for my MA. The centre works closely with IWM North in Salford, and many works on display were from the IWM collections. 

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Official cinematographer Lieutenant Geoffrey Malins (right), with the official photographer Lieutenant Ernest Brooks, at a coffee stall behind the lines on the Somme, 1916. © IWM (Q 1456)

One of the recurrent pleasures of historical research is proving that something we assume to be up-to-the-minute in fact has a long back-story…

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Avinoam Patt from the University of Hartford presenting his paper ‘ “Three lines in history”: writing about resistance in the immediate aftermath of the Holocaust.’

On the third and last day of the conference the themes ranged from visual testimonies, and repatriation and resettlement, to the legacy of the euthanasia programmes and medical experiments, and the uses of the International Tracing Service (ITS) digital collection.

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Beyond camps logo

‘Beyond Camps and Forced Labour: Current International Research on Survivors of Nazi Persecution’
Imperial War Museum
7 – 9 January 2015

 

The second day of the conference promised, and gave, a very full programme of 32 papers across nine panels. Papers touched on repatriation and resettlement, children, compensation, early testimonies, remembrance, displaced persons and forced labour.

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During the First World War, the troops made an effort to mark Christmas, despite the obvious difficulties. Words, objects and images from Imperial War Museums’ collections and elsewhere reveal how the soldiers negotiated some space for family, sharing and festivity.

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Hawker Hunters of No. 111 Squadron’s display team the Black Arrows. Photograph by Mike Chase MM FRPS, 1957. © IWM RAF-T 240.

For over forty years the Royal Air Force was in the frontline of Britain’s Cold War defences. Recording the first half of this dynamic period were a small number of specialist aviation photographers from the Air Ministry’s (later Ministry of Defence’s) Photographic Reproduction Branch (PRB) who produced a unique collection of 10,000 colour images. PRB’s chief photographer for much of this period was Mike Chase MM, one of the country’s most experienced aviation photographers.

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