From left to right: Paul Cornish, Jamie Carlin, Kasia Tomasiewicz, Vikki Hawkins and Anna Ravenscroft of the IWM Second World War Galleries team
‘The test has now begun.’
These five words, which have struck fear into the hearts of many, seem oddly out of place in the Wellcome Collection’s impressive Reading Room. It’s not just the location, rather that all participants including five from the IWM’s Second World War Galleries team, are wearing false moustaches. How better to get into the mind-set of a would-be British Army officer in 1942?
To celebrate the opening of the Tavistock Institute Archive papers on the War Office Selection Boards or WOSBs (pronounced wos-bees) at the Wellcome Library, a series of innovative workshops have been created to allow visitors to undergo the same military psychology tests that were used over 70 years ago. Although never kept a secret during the war, it has only been through the doctoral research of Alice White, and the meticulous cataloguing of the Tavistock Institute Archives by Elena Carter, that a wealth of information about the creation and development of the WOSBs testing programme has been uncovered. Co-created with Matt Gieve of the Tavistock Institute, these workshops will no doubt run for more than the initial four sessions planned.
War generates unique and unexpected experiences in civilians’ ordinary lives. But war can also exist as a surprisingly uneventful setting for everyday working lives. At the European Social Sciences and History Conference three talks encouraged me to consider ways in which war work impacted civilians’ ordinary lives through memories that reclaim, forget and negotiate popular experiences of the Second World War.
Special guests at June’s conference: former POWs (from bottom right: George Reynolds, Tom Boardman and Bob Hucklesby); FEPOW widow (Merle Hesp); and former internees (from top left: internees Els and Connie Suverkropp, Romee Hindle, and Olga Henderson). Courtesy of LSTM/Brian Roberts.
2015 has been a poignant year. Seventy years after the end of the Second World War, veterans and their families came together throughout the summer to reflect, remember and renew their commitment to sharing the stories of wartime.
In a frame from the film THE TRUE GLORY, a British Army Film and Photographic Unit cameraman and photographer, Sgt Mike Lewis, is caught on camera as he films the burial of the dead following the liberation of the concentration camp at Bergen-Belsen. (c) IWM FLM 1232
In the late 1960s and early 1970s, staff at IWM engaged with popular forms of history in order to publicise its collections, exhibitions and research facilities. In particular, the use of film in understanding history was increasingly significant in attracting public audiences, and as a subject for debate in universities.
‘It took an army to make this exhibition’, Barbara Kirshenblatt-Gimblett told her audience and ‘having scholars in charge of each section had been the key to the Museum’s success’. In May I attended a conference seven months after the opening of the core exhibition of POLIN Museum of the History of Polish Jews. At the conclusion of the eight- year project, those involved in the Museum’s creation were keen to open debate on what had worked well and what less so, and to identify the gaps in Polish Jewish history requiring further historical effort. The core exhibition offered a starting point for that discussion.
During the Second World War the German Army established a number of POW facilities in the artillery forts in the old Hanseatic city of Thorn (Toruń ) in northern Poland. The camp bore number Stammlager (Stalag) XXA and held Allied prisoners of various nationalities.
Bridge linking courtyard and entrance gate to Fort XI of Stalag XXA. © IWM DC 552.
US official photograph showing American airmen having a drink with Brits outside the Waggon and Horses pub in Great Yeldham, near their base at Ridgewell, Essex, on 17 May 1945. They are gathered around a now defunct local pastime: ‘Bet! V.E. before July’ (FRE 13699)
The American airmen did not simply pack up their bags and board troop ships as the final notes of the VE Day big band faded away. Instead, the Roger Freeman Collection of photographs shows how they spent the time between the end of war and their return home, up in the air and on the ground.
One of the quirks of researching the impact of American airmen on Britain during the Second World War is that very often airfields across East Anglia remained in American hands until the winter of 1945. By November of that year, the bright days of May had faded somewhat and although the August news relieved airmen of possible duty in the Pacific it must have been a homesick bunch of GIs that kicked about East Anglia, as the trees lost their leaves, waiting for orders to go home.
The Roger Freeman Collection gives a good picture of life at war but I’ve taken the chance of the approaching VE Day Anniversary Air Show coming up at IWM Duxford to find out what it reveals about what life was like for Americans in England after the Nazi surrender.
One of the stories told by Bomb Group veterans is that they used the days after VE Day to give lifts to ground crew, who had spent their days making the bombers airworthy and armed, to show them the effect of Allied bombing raids on Nazi industrial sites.
One of IWM’s recently-acquired garments, displayed for the first time in Fashion on the Ration. This mustard wool Utility coat made by Alexon is an example of wartime design at its best, featuring simple lines and minimal trimmings. © IWM UNI 14387.
IWM London’s headline exhibition for the spring and summer, Fashion on the Ration: 1940s Street Style, explores how the war impacted upon an intensely personal aspect of life on the home front during the Second World War. What did people wear and how did this shape their sense of identity? How was fashion constrained by war? How did men, women and children cope with the demands and deprivations of shortages and austerity?
Stanley Gimson, Kanyu Riverside Camp: Dysentery Ward (1943) © IWM (Art.IWM ART 16893)
Throughout Southeast Asia during the Second World War, tropical diseases ravaged the bodies of those held by Japanese occupying forces:
As our pocket book gets cleaner
All our frames get leaner and leaner
And the grass grows greener in the graveyard area
Still with spirits unabating
We will wait while flies are mating
For the dysentery cholera and malaria
– Geoffrey Monument, ‘Rhapsody in Rice’ (circa 1944)
This white poppy (or ‘peace poppy’) was issued pre-1939 by the Peace Pledge Union and belonged to Ms A E Wood who was a conscientious objector. Her Conscientious Objector’s tribunal statement and registration card are held in the Department of Documents.© IWM (EPH 2284)
Sabine Grimshaw, a Collaborative Doctoral Award Student at IWM and the University of Leeds, discusses her research into female war resisters during the First World War.
Recently I had the opportunity to take part in a conference organised for International Women’s Day at Liverpool Hope University on the topic, ‘Women in Peace and Conflict.’ Embracing the theme ‘Make it Happen’, the conference offered a fascinating insight into the myriad ways women have participated in warfare, peace activism, conflict resolution and post-war state building in twentieth century conflicts.