A song sheet in the form of a scarf: “It’s a long way to Tipperary” © IWM (Q 70101)
Alexander MacGregor, a British officer who served with the Indian army, wrote about an interesting musical performance in his diary:
27 January 1915: Some time ago there was a big sing song at Fort Tanskyne, and one of the men brought down the house completely by getting up and singing in a regular shrill native chant “Tipperary” in Hindustani. But I am afraid “Bwa-kutcha Tipperary ko-hai” will not catch on at home as much as one might wish.
A humorous aside, but the anecdote reveals the cultural encounters brought about by empire’s mobilisation in the war. Why were colonial troops singing the British standard ‘It’s a Long Way to Tipperary’?
Men of the Australian and New Zealand Division on a transport ship to Gallipoli, 1915. © IWM Q 13798
In his memoir, Over There with the Australians (1918), R. Hugh Knyvett, an Australian officer, pondered on the preoccupation with the Anzac experience at Gallipoli:
Australia and New Zealand’s part does not, in actual accomplishment or in personal daring and endurance, outclass the doings of these others, the larger half of the army. But there is a romance and a glow about the Anzac exploits that (rail at the injustice of it as you may) makes a human interest story that will elbow out of the mind of the ‘man in the street’ what other troops did. In fact, every second man one meets has the idea that the Australians and New Zealanders were the only men there.
The Anzac troops weren’t the only men who fought during the Gallipoli campaign though the landing has become synonymous with the exploits of the dominion men. Alongside them were troops from India, Ireland, France, Britain and other empire and Allied forces, with whom they interacted both in the battlefield and at camp.
IWM’s Parveen Sodhi investigates the reports of the Indian Soldiers’ Fund to find a new point of access for the history of Indian troops during the First World War.
‘Very many thanks for the many comforts you have sent for this Company… the men were very pleased at being remembered by anyone connected with India…’ From an Indian Labour Company, France, 18th January 1918.
Lord Roberts initiated the supply of home comforts and gifts in kind by the Indian Soldiers’ Fund as early as 1914. Roberts – who served in India for over forty years and who was the last Commander in Chief of the Forces – took the greatest personal interest for the provision of the Indian soldiers ‘whom he loved so well’, who had been hospitalised in France during the course of the First World War.
To mark the publication of his new book, ‘Black Poppies’, Stephen Bourne reflects on researching Britain’s black community and the First World War.
The cover of Stephen Bourne’s new book, ‘Black Poppies’.
He felt British. He was descended from slaves taken from West Africa but English was his first language. His schoolbooks were written by British people; he lived under British law; he was brought up to admire British poets and British musicians and British scientists and British politicians and British nobility. His allegiance was to King George V, to his Mother Country and to British people all over the world. When Britain declared war on Germany he felt included.
Jackie Turpin, writing about his father Lionel, a Guyanese Merchant Seaman in Battling Jack: You Gotta Fight Back [Mainstream Publishing, 2005].
To mark the publication of IWM’s guide to Researching the British Empire in the First World War, Anna Maguire reflects on the challenges of remembering war and empire.
On 12 June 2014, I attended a workshop on war, citizenship and public memory. Convened by Vron Ware and hosted by Autograph, the arts organisation based in Rivington Place, Hoxton, a number of historians, curators, campaigners and educators took part in discussions about the process of remembering war, public memory and commemoration. The discussions centred around the contribution of soldiers from empires in both world wars, and during other twentieth and twenty first century conflicts.
The session began with everyone sharing an image to represent their area of interest. These were fantastically stimulating, ranging from Ministry of Information photographs of colonial troops during the First World War, to book covers such as that researched by Stephen Bourne for his new book Black Poppies to images of current recruits from the Commonwealth in the British Army chosen by Les Back. These were then displayed on the wall as a visible reminder of our own individual perspectives and stories, but also of the collective desire to learn and teach and share more about colonial and postcolonial experiences.
Herrenhausen Gardens, Hannover. The venue for the conference ‘The World During the First World War’. Image courtesy of Anna Maguire.
One of IWM’s new Collaborative Doctoral Award Students, Anna Maguire, describes an inspiring recent conference on the global impact of the First World War.
At the end of October, Hannover played host to the symposium ‘The World During the First World War’. This was my first academic conference as one of the IWM’s new Collaborative Doctoral Award students of 2013. My PhD is one of three which have started this autumn under the Collaborative Doctoral Partnership which IWM has with the AHRC (Arts and Humanities Research Council) whereby students are embedded in national museums, libraries and archives while at the same time belonging to a university. My focus is ‘Cultural Encounters and Cultures of the First World War’ and my study will seek to address the experience of colonial troops, on which IWM has very rich archival sources. It complements a major new project London funded by HERA (Humanities in the European Research Area), led by Kings College, in which IWM is an Associate Partner, and also builds on work carried out by IWM’s AHRC-funded project Whose Remembrance?, led last year by my IWM co-supervisor, Suzanne Bardgett.
Held at the beautiful Herrenhausen Gardens and hosted by the Volkswagen Foundation, the conference provided auspicious surroundings in which to begin thinking and talking about my research. It was organised by the Foundation, the University of Hanover, Zentrum Moderner Orient, Berlin (the Centre for Modern Oriental Studies) and the German Historical Institute, London. With views from Latin America to the Middle East, via Africa and South Asia, papers were diverse and truly international. Talks from Babacar Fall about forced labour in French West Africa, from Joan Beaumont on Gallipoli, national consciousness and memory in Australia and from Samiksha Sehrawat addressing Indian voluntary aid all provoked lively questioning and debate. There were introductions to new resources for historians, including 1914-1918 Online.
Poster for Indigènes (dir Rachid Bouchareb, 2006) released in the UK as Days of Glory by Metrodome
The website Caribbean aircrew in the RAF during WW2 draws attention to the 1953 feature film Appointment in London, a story about Bomber Command starring Dirk Bogarde, and in particular to a scene showing Bogarde mixing with his peers: among the officers is one of Caribbean origin. There is no plot point hanging on this fact – it is simply a tacit recognition of the contribution made in the RAF, as in so many other ways, to the Allied effort in both world wars by people of the Empire. What is sadly remarkable about it, however, is how rare it is to see black troops represented in this way.
One area that the Whose Remembrance? Project set out to explore was the extent to which the wartime role of the peoples of Britain’s colonies has been reflected in the popular media. My contribution was to produce a database of relevant films, tv and radio.
A good start for my search was the Colonial Films Database the result of an earlier AHRC-funded project in which IWM was a partner. As well as providing essays about contemporary films like With the Indian Troops at the Front (1916) and West Africa Was There (1945), this huge database also offers several dozen titles online. Trawls of various websites made it possible to add a number of retrospective documentaries, such as the 2009 Soldiers of Empire episode from Channel 4’s Not Forgotten Series, or Scottish Television’s 2004 programme Treefellers about the work in Scotland during the Second World War of lumberjacks from British Honduras. Drama series which came immediately to mind included Granada’s 1984 adaptation of Paul Scott’s ‘Raj Quartet’ as The Jewel in the Crown, and BBC2’s 1992 Black Poppies.
India 1944: Three stokers of the Royal Indian Navy on the mess deck of the sloop HMIS SUTLEJ. IWM IB 1558
Ansar Ahmed Ullah, a member of the Swadhinata Trust, is one of three external specialist researchers on the Whose remembrance? project. Ansar writes here about his research into the experiences of South Asian seamen in the two world wars.
For my study I chose to look at South Asian seamen of Bengali origin because it was a natural progression from my last project Bengalis in London’s East End.
We know that the Bengali seamen formed the first sizable South Asian community in Britain. They settled in London’s East End, close to the Docks, and were commonly referred to as ‘lascars’. The word was once used to describe any sailor from the Indian sub-continent or any other part of Asia, but came to refer to people from West Bengal and modern-day Bangladesh.
South Asian seamen received less pay, less food and had smaller living quarters than white sailors, and their death rate was higher. Most worked in the engine room as ‘donkeywallahs’ (after the ‘donkey engines’) while those who oiled the machinery were known as ‘telwallahs’. Others worked supplying the furnace with coal and disposing of the ashes. You can imagine my delight at discovering an image of three stokers of the Royal Indian Navy on the mess deck of the sloop HMIS Sutlej in 1944. The working conditions were harsh and hot, and many seamen died of heat stroke and exhaustion. Lascars trapped in the engine rooms suffered a particularly high casualty rate.
Together, this poster represents the armed forces of Canada, Great Britain, New Zealand, Australia, West Africa, and India fighting together in the Second World War.IWM PST 15795
As Project Manager of the AHRC sponsored Whose remembrance? project, I was responsible for drawing up the programme for the two workshops we held in the summer of 2012 – to enable both historians and museum professionals who have been researching aspects of this history to share their work.
Searching for academics in this area was one of my first tasks. Our library has a good stock of published works, and projects undertaken by our education and exhibition staff also provided a number of useful contacts and our advisory group were able to recommend academics they had come across. It was gratifying to find that most people working in this field – if approached – gladly gave up a day or even two – to come to IWM and share their work.
The first workshop was devoted to historians working in the field, Dr Jan-Georg Deutsch, a historian of modern African history at Oxford, Professor David Killingray, author of a major work on African troops in the Second World War, and Dr Santanu Das, an English literature academic who has used IWM’s collections extensively combined to provide a thought-provoking opening to the day. They made plain how relatively under-researched colonial service is and highlighted some of the emerging studies. A memorable moment was hearing a recording of a First World War captured Indian soldier singing a song remembering the garden he had left back home – one of the extraordinary recordings made in 1915 by German anthropologists and today held by the Humboldt University in Berlin. We then heard from Stephen Bourne who movingly told us how his interest in the Caribbean experience of the Second World War had grown from his own research into his adoptive aunt’s story – and how this led him to further work and three books. The lack of written and oral history accounts was a constant theme and we discussed the different ways of remedying this and the difficulties of writing history when the official, coloniser’s voice is so dominant. The full programme will be available soon on our website.
Men of the British West Indies Regiment cleaning their rifles; Albert – Amiens Road, September 1916. IWM Q1201
For a large part of 2012 the Research Department has been working on an AHRC-sponsored scoping study called Whose Remembrance?. The study asked the IWM to identify whose stories were being included in the history of the First and Second World Wars and how this was affecting patterns of remembrance. In particular the IWM has looked at how the experiences of colonial troops have been studied by academics and displayed by museums.
Both conflicts mobilised the British Empire and its Commonwealth for war and necessitated the deployment of enlisted men and women across the world, in foreign places far from home. To take just a few instances from the First World War, this meant not only would an Englishman have served abroad in Palestine and Egypt but men of the Indian Army and British West Indies Regiment would have served on, or in support of, the Western Front in France and Belgium.