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The Military History Museum, Dresden. Visible is architect Daniel Libeskind’s shard-like ‘intervention’. Image courtesy of Alys Cundy.

From October to November last year I took time out from my research at IWM to undertake a residency in the German town of Bremen. I was selected to take part in the Goethe Institut ‘Scholars in Residence’ programme, which pairs German scholars with international early career researchers to work jointly on a project. My project explored the ways in which a number of German museums represent twentieth-century conflict. I was paired with Dr Yvonne Pörzgen of the University of Bremen, whose own research looks at the way in which Germany is represented within Russian museums of the Second World War in St Petersburg.

The residency was a fantastic opportunity to meet German scholars and to look at my own research in a different light. My CDA focuses on the history of display at IWM since 1917 and explores themes of cultural memory and conflict and the way museums and memorials represent difficult pasts. In light of my interest in these subjects, Germany was a fascinating place to be. German museums of conflict face the balancing act of representing traumatic past events without sensationalizing or offending. At the same time their displays must acknowledge both German responsibility for wartime actions and the suffering of German soldiers and civilians. During the six weeks of my stay I was able to visit Dresden, Berlin, Munster and Munich and see how museums in these very different German cities meet these challenges.

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