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Leanne Green, James Wallis and Alys Cundy at the Memory, Conflict and Space Conference at Liverpool Hope University. Photograph courtesy of The Archbishop Desmond Tutu Centre for War and Peace Studies.

Sunny Liverpool played host to the Memory, Conflict and Space conference that gave three of the Collaborative Doctoral Award students at IWM the chance to present together as part of a panel on aspects of representation and memory in the museum’s  collections.The conference addressed the real, virtual, imaginary and lived spaces in which conflict unfolds and the role memorialisation has played in interpreting conflict. Papers were diverse, with subjects that ranged from Lee Miller’s haunting photographs of concentration camp inmates in Dachau, to sites of memory in post-conflict Belfast, to the varied ways in which football fans remember disasters such as Heysel and Hillsborough.

On the IWM panel, Alys Cundy was up first with a paper on the memorial spaces that existed in the museum between 1920 and 1960. From bays laden with symbolism at Crystal Palace, to a ‘Hall of Honour’ at South Kensington, to enclaves of remembrance at Lambeth Road, in three different London buildings the IWM created commemorative spaces.  In these spaces the display of exhibits such as the top section of the original Cenotaph and wild flowers picked from the battlefields of the First World War meant that as well as collecting the historical records of conflict the museum also represented the urge to remember. The spaces chosen for these memorial exhibits were significant. Entrances, corridors and stairways were used as these areas framed the principal galleries, ensuring that visitors would have to pass through spaces of memory in order to learn more about the historical narrative of the war.

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