Wood-smoke curls through the darkness as I make my way to Sarajevo’s bus station for the 7am daily bus to Srebrenica. It’s my first visit to Bosnia since 2007 when the Srebrenica Memorial Room opened, a project initiated by Lord Ashdown, then High Representative in Bosnia Hercegovina, and supported by the IWM.
A delegation comes from the Wellcome Trust – to hear what we are doing on the medical history front. It’s a great opportunity to let them hear and see just how strong are our collections on this topic. Inevitably the medical treatment of wounded soldiers is a running theme in our collections – whether recruiting posters for Red Cross nurses in the First World War or films urging soldiers to protect themselves against malaria in the Second. But there are wider themes you can explore here too – there are few aspects of war which did not impinge on health also.
The Muswell Hill studio is flooded with sunlight and all around are paintings of flowers in radiant reds, yellows and blues. I have come to visit Alicia Melamed Adams, the Holocaust survivor whose paintings and whose story I wrote up as one of the chapters of Justice, Politics and Memory in Europe after the Second World War published this summer. We did the interviews in this studio a year ago, sifting through her old family photographs and going over the details of her family’s horrendous wartime ordeal.
The wooden library trolley creaks into our Board Room. Piled on its shelves are around twenty boxes of transcripts made by the BBC Monitoring Service during and after the Second World War. Around the table are gathered four academics – Professor Hilary Footitt, Professor David Welch, Dr Alban Webb and Dr Peter Busch – who have kindly agreed to give us their thoughts on where we go next with this large, academically potent collection.