Resistance to the First World War Conference

Community day: Conscientious objection and resistance to the first world war

Over the weekend of 18-20 March an international conference took place in Leeds, focusing on resistance to the First World War. The conference, which I helped to organise, brought together academics, community groups, poets and storytellers from across the globe, including delegates who had travelled from Australia and the USA. The conference was envisaged following the suggestion that the prominent narratives during the First World War Centenary were limited to stories of those who had actively participated in the war effort.

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Fighting Extremes: From Ebola to ISIS

Image of British Army Personnel in Sierra Leone

Since 2009 IWM has been running a project to collect the experiences of British military personnel serving in contemporary conflicts. Until last year, the dominant experience was the war in Afghanistan. But as this conflict began to draw down, British forces were deployed to help with other pressing concerns.

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'The Day After' 1983: real and imagined nuclear attack in the Cold War

A large mushroom cloud from a British nuclear test in the 1950s

On the evening of November 20 1983, 100 million Americans settled down to watch Nicholas Meyer's made-for-TV film The Day After. The film’s focus was a familiarly normal community in rural Eastern Kansas in the lead up to, and aftermath of, nuclear war. It is shocking and arrestingly bleak viewing; moreover it was, and remained for years afterwards, the most highly rated TV film in US broadcast history. Its importance however, lies less in its status as a landmark media event than in what it demonstrates about the cultural imagination in the 1980s.

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The Imperial War Museum Sound Collection

The Imperial War Museum Sound Archive contains well over 60,000 hours of professionally recorded, documented and preserved material.

As we look forward to the New Year and begin to plan the various projects which will keep us busy over 2016, it is always useful to take a step back and consider the progress already made.  For over forty years, IWM has preserved one of the most important sound archives of its kind in the world.  Established in 1972, the Department of Sound Records, as it was then called, was an offspring of the museum’s Library which at that point included a handful of gramophone records.  The following decades saw the collection grow in size until, following a major restructuring in 2010, it was merged wi

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Popular History, Publicity and Film at IWM

In a frame from the film THE TRUE GLORY, a British Army Film and Photographic Unit cameraman and photographer, Sgt Mike Lewis, is caught on camera as he films the burial of the dead following the liberation of the concentration camp at Bergen-Belsen.

In the late 1960s and early 1970s, staff at IWM engaged with popular forms of history in order to publicise its collections, exhibitions and research facilities. In particular, the use of film in understanding history was increasingly significant in attracting public audiences, and as a subject for debate in universities.

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Dissecting Warsaw’s new museum of Polish Jewish history

Warsaw museum image 1

‘It took an army to make this exhibition’, Barbara Kirshenblatt-Gimblett told her audience and ‘having scholars in charge of each section had been the key to the Museum’s success’.  In May I attended a conference seven months after the opening of the core exhibition of POLIN Museum of the History of Polish Jews. At the conclusion of the eight- year project, those involved in the Museum’s creation were keen to open debate on what had worked well and what less so, and to identify the gaps in Polish Jewish history requiring further historical effort.  The core exhibition offered a starting point for that discussion.

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“Cricket balls that were on fire". The RAF squadrons in the supply drops for the Warsaw Uprising, August 1944

A German prisoner being led away by troops of the Kiliński Battalion, Home Army after the capture of the PAST building on Zielna Street, 20 August 1944. © IWM HU 31070.

On 1st August 2009 I visited Warsaw to take part in the 65th anniversary commemorations. The occasion was organised by the ambitiously conceived Museum of the Warsaw Uprising which tells the story of this epic event.  On 1st August 1944 soldiers of the Polish Home Army, supported by citizens of Warsaw, rose up against the German occupiers. After five years of occupation,  “Operation Bagration” had brought the Red Army to the gates of the Polish capital.

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‘Visions from Above and Below’ at IWM, London

Simon Black, ‘The Martyr’, oil on canvas, © The Estate of Simon Black, Art.IWM ART 17558.

Visions of War Above and Below’ curated by Claire Brenard at IWM London explores how artists have used both the aerial perspective and that ‘from below’ to explore how these different, at times dramatic perspectives, can convey both power and vulnerability in the face of modern warfare.

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