In 1917 George Elliott Dodds, a writer and editor at the Department of Information, suggested publishing a series of photographically illustrated booklets showing various war activities on the Home Front. After three years of war, the potential propaganda value of such publications for combating war weariness and maintaining domestic morale was recognised.
As the first official photographer on the Home Front, Horace Nicholls documented the impact of total war on the British people during the First World War. After the war, Nicholls photographed the unveiling of the Cenotaph and the burial of the Unknown Warrior in Westminster Abbey. However, underlying these records of national mourning and collective remembrance there is also a story of personal loss. One hundred years ago, on 9 April, Easter Monday, 1917, Nicholls’ eldest son, George, was killed on the opening day of the Battle of Arras. He was just 22.
17 February, 2017 marked the 150th anniversary of the birth of an important and yet comparatively little-known British photographer. Perhaps more than any other photographer, Horace Nicholls has shaped our perception of Britain during the first decades of the twentieth century. Even though his name is probably unfamiliar, you will almost certainly recognise his iconic images of fashionable upper class ladies at Ascot or, in stark contrast, women munitions workers during the First World War.