Film Archivists in China: the 2012 FIAF congress

A workshop at the FIAF congress on the transition to digital technology, l-r Jon Wenstrom (Swedish Film Institute), David Walsh, Thomas Christensen (Danish Film Institute), Sungji Oh (Korean Film Archive). Courtesy of the China Film Archive.

The collective noun for a gathering of film archivists? A vault? A screening? The more cynical might say a confusion. Certainly, at the annual congress of the International Federation of Film Archives (FIAF) held in Beijing in May, in addition to a certain amount of confusion surrounding voting procedures (something of a tradition at FIAF congresses), archivists were understandably confused by the sheer scale and rapidity of the changes to their world brought about by digital technology. And so a good deal of the proceedings set about addressing some of these concerns, not least the workshop organised jointly by the Technical Commission (of which I am the head) and the Programming and Access Commission, where we looked at the digital world from different perspectives and tried to offer some guidance on acquisition, management, preservation and access. (Some of the guidance we offered is now available in a few handy documents on the FIAF website).

Read article >>