Rod Suddaby

Rod Suddaby at a FEPOW round table meeting hosted by Liverpool School of Tropical Medicine on 15 February 2010 (detail from a photograph by Nick Parkes). Photograph by permission of Meg Parkes.

‘Never stray too far from your sources’. This was the invaluable guidance of Rod Suddaby whom I had the privilege to have as my PhD co-supervisor for the last two years of his life – focusing on the stories of Far Eastern prisoners of war (POWs).

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Radio Moscow reviews the 1979 election

The visit of Margaret Thatcher to the Cabinet War Rooms, 4 April 1984. IWM-1984-15-1.

With all the recent coverage of the life and times of Margaret Thatcher, I thought it might be interesting to delve into the Radio Moscow material stored at Duxford to see how the election of Britain’s first female Prime Minister was reported to British listeners by a Soviet media source. Expecting a diatribe against the ‘Iron Lady’ from a committed ideological opponent, I was surprised to find instead concentrated criticism of James Callaghan’s outgoing Labour government.

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Guest Post: Holocaust Exhibitions Compared

The German Historical Museum in Berlin. Photograph courtesy of Angelika Schoder.

Our guest blogger, Angelika Schoder, conducted her recent PhD research into the representation of National Socialist crimes at IWM London, and the German Historical Museum, Berlin. Here she outlines the findings of her thesis, which will be published in Germany in spring 2014.

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Who will make the UK’s Indigènes?

Poster for Indigènes (dir Rachid Bouchareb, 2006) released in the UK as Days of Glory by Metrodome

The website Caribbean aircrew in the RAF during WW2 draws attention to the 1953 feature film Appointment in London, a story about Bomber Command starring Dirk Bogarde, and in particular to a scene showing Bogarde mixing with his peers: among the officers is one of Caribbean origin. There is no plot point hanging on this fact – it is simply a tacit recognition of the contribution made in the RAF, as in so many other ways, to the Allied effort in both world wars by people of the Empire.  What is sadly remarkable about it, however, is how rare it is to see black troops represented in this way.

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Whose Remembrance? project workshops

Together, this poster represents the armed forces of Canada, Great Britain, New Zealand, Australia, West Africa, and India fighting together in the Second World War.IWM PST 15795

As Project Manager of the AHRC sponsored Whose remembrance? project, I was responsible for drawing up the programme for the two workshops we held in the summer of 2012 - to enable both historians and museum professionals who have been researching aspects of this history to share their work.

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Introducing the Whose Remembrance? Project

A group of wounded Indian soldiers walk across the cobbles of a French village. IWM Q53348

For a large part of 2012 the Research Department has been working on an AHRC-sponsored scoping study called Whose Remembrance?. The study asked the IWM to identify whose stories were being included in the history of the First and Second World Wars and how this was affecting patterns of remembrance. In particular the IWM has looked at how the experiences of colonial troops have been studied by academics and displayed by museums.

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Bolts from the blue

The remains of Surrey Lodge, an apartment building destroyed by a V2 rocket on 4 January 1945. The photograph was apparently taken on the following day and graphically shows how a 5 storey building was reduced to rubble. Courtesy of Lambeth Archives.

Barely 150 metres from Imperial War Museum London is the site of the most destructive explosion in Lambeth during the Second World War, which killed 43 people.  Just before 8.30pm on the night of Thursday 4 January 1945 a huge explosion destroyed an apartment building, Surrey Lodge, on the corner of Kennington Road and Lambeth Road.   The old Lambeth Baths and a chapel on the opposite side of Lambeth Road were also severely damaged.  The blast also extensively damaged the northern and western sides of the  Imperial War Museum as well as many surrounding buildings.

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Restoring the First World War film The Battle of the Ancre and Advance of the Tanks (1917)

A pair of stills demonstrating the effect of digital restoration on a sequence showing a tank in no-man’s land.

The Battle of the Ancre and Advance of the Tanks (1917) is a little known masterpiece of British non-fiction cinema that documents the winter stages of the Somme campaign on the Western Front. The sequel to the famous Battle of the Somme (1916), which covers the opening phase of the campaign, ‘Ancre’ should not be dismissed as Somme II. Although similar to the ‘Somme’, Battle of the Ancre is cinematically the better film  and contains haunting images of trench warfare, notably of the mud that beset the trenches in the winter, the waves of troops advancing into no-man’s land, the use of horses and the first views of the tank - the secret weapon which it was hoped would break the deadlock on the Western Front.

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