'The Day After' 1983: real and imagined nuclear attack in the Cold War

A large mushroom cloud from a British nuclear test in the 1950s

On the evening of November 20 1983, 100 million Americans settled down to watch Nicholas Meyer's made-for-TV film The Day After. The film’s focus was a familiarly normal community in rural Eastern Kansas in the lead up to, and aftermath of, nuclear war. It is shocking and arrestingly bleak viewing; moreover it was, and remained for years afterwards, the most highly rated TV film in US broadcast history. Its importance however, lies less in its status as a landmark media event than in what it demonstrates about the cultural imagination in the 1980s.

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The Imperial War Museum Sound Collection

The Imperial War Museum Sound Archive contains well over 60,000 hours of professionally recorded, documented and preserved material.

As we look forward to the New Year and begin to plan the various projects which will keep us busy over 2016, it is always useful to take a step back and consider the progress already made.  For over forty years, IWM has preserved one of the most important sound archives of its kind in the world.  Established in 1972, the Department of Sound Records, as it was then called, was an offspring of the museum’s Library which at that point included a handful of gramophone records.  The following decades saw the collection grow in size until, following a major restructuring in 2010, it was merged wi

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Versions of everyday survival in 1950s Britain: feeling fear without worrying.

Crown Film Unit production, The Waking Point, Film still, [00:14:32]; (Britain: Central Office of Information, 1951) IWM Collections; COI 1181.

The Cold War launched a new series of threats on Britain - from invasion by communists to atomic warfare. The military and moral implications of this ideological battle meant that fear was ever-present in the public sphere. My Collaborative Partnership PhD asks whether fear really was the most widely held emotion in 1950s Britain. At the British Social and Cultural History conference, held from 31 March to 2 April, I will be presenting my initial thoughts on this topic, using evidence gained through oral history interviews.

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The RAF in the Cold War 1950-1970

Hawker Hunters of No. 111 Squadron’s display team the Black Arrows. Photograph by Mike Chase MM FRPS, 1957. © IWM RAF-T 240.

For over forty years the Royal Air Force was in the frontline of Britain’s Cold War defences. Recording the first half of this dynamic period were a small number of specialist aviation photographers from the Air Ministry’s (later Ministry of Defence’s) Photographic Reproduction Branch (PRB) who produced a unique collection of 10,000 colour images. PRB’s chief photographer for much of this period was Mike Chase MM, one of the country’s most experienced aviation photographers.

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