On the evening of November 20 1983, 100 million Americans settled down to watch Nicholas Meyer's made-for-TV film The Day After. The film’s focus was a familiarly normal community in rural Eastern Kansas in the lead up to, and aftermath of, nuclear war. It is shocking and arrestingly bleak viewing; moreover it was, and remained for years afterwards, the most highly rated TV film in US broadcast history. Its importance however, lies less in its status as a landmark media event than in what it demonstrates about the cultural imagination in the 1980s.
As we look forward to the New Year and begin to plan the various projects which will keep us busy over 2016, it is always useful to take a step back and consider the progress already made. For over forty years, IWM has preserved one of the most important sound archives of its kind in the world. Established in 1972, the Department of Sound Records, as it was then called, was an offspring of the museum’s Library which at that point included a handful of gramophone records. The following decades saw the collection grow in size until, following a major restructuring in 2010, it was merged wi
The Cold War launched a new series of threats on Britain - from invasion by communists to atomic warfare. The military and moral implications of this ideological battle meant that fear was ever-present in the public sphere. My Collaborative Partnership PhD asks whether fear really was the most widely held emotion in 1950s Britain. At the British Social and Cultural History conference, held from 31 March to 2 April, I will be presenting my initial thoughts on this topic, using evidence gained through oral history interviews.