‘It took an army to make this exhibition’, Barbara Kirshenblatt-Gimblett told her audience and ‘having scholars in charge of each section had been the key to the Museum’s success’. In May I attended a conference seven months after the opening of the core exhibition of POLIN Museum of the History of Polish Jews. At the conclusion of the eight- year project, those involved in the Museum’s creation were keen to open debate on what had worked well and what less so, and to identify the gaps in Polish Jewish history requiring further historical effort. The core exhibition offered a starting point for that discussion.
On the third and last day of the conference the themes ranged from visual testimonies, and repatriation and resettlement, to the legacy of the euthanasia programmes and medical experiments, and the uses of the International Tracing Service (ITS) digital collection.
The second day of the conference promised, and gave, a very full programme of 32 papers across nine panels. Papers touched on repatriation and resettlement, children, compensation, early testimonies, remembrance, displaced persons and forced labour.
A triumphant flinging of mortar boards as the 2014 graduates of the University of East Anglia’s School of World Art Studies and Museology received their degrees recently. Among them was IWM Research Manager Emily Peirson-Webber, who graduated with a Master of Arts with Distinction in Cultural Heritage and Museum Studies. Emily’s dissertation focused on the uses of Great War memory in the construction of modern British identity. Congratulations Emily!