In 2020, IWM initiated Digital Futures, a five year project to digitise 1.8 million films, photographs and sound recordings and slow down the degradation of 6.8 million items by freezing, isolating or refrigerating them. This mass preservation project is digitising some of our most vulnerable media from the Cold War era.
SSN member Tayler Cresswell shares details of a project working with young people, to explore women’s experiences of the First World War and how the War affected their mental health.
An overview of IWM's new Digital Portal for the First World War Centenary.
2015 has been a poignant year. Seventy years after the end of the Second World War, veterans and their families came together throughout the summer to reflect, remember and renew their commitment to sharing the stories of wartime.
Private Geoffrey Monument was serving with the Royal Army Service Corps when he was captured at the fall of Singapore, 15 February 1942. He would spend the next three and half years in captivity at Changi, Haito in Formosa (today’s Taiwan) and various camps in Japan. Monument wrote poetry in a diary and notebooks that he kept secret during his time as a prisoner and these are now held in IWM’s collections.
On a sunny Autumn afternoon, I moved through the crowds pouring into IWM London to attend a screening of this year’s Film Festival. Launched in 2001 as a student competition by Toby Haggith, the Founding Director, the film festival is back from a three year absence to mark the reopening of the Museum.
One of IWM's new Collaborative Doctoral Award Students, Anna Maguire, describes an inspiring recent conference on the global impact of the First World War.
Our guest blogger Taylor Downing is a historian and writer whose best selling books include works on the Second World War as well as other popular histories. Taylor also writes on the history of film and television. Recent publications include The World At War (BFI Palgrave Macmillan 2012) an account of the making of the landmark documentary series, and a number of publications on the Second World War including Night Raid (Little, Brown 2013), Spies in the Sky (Little, Brown 2011) and Churchill’s War Lab (Little, Brown 2010). Taylor is currently writing the history of a series of change making scientists from the First World War, to be published in 2014.
Ansar Ahmed Ullah, a member of the Swadhinata Trust, is one of three external specialist researchers on the Whose remembrance? project. Ansar writes here about his research into the experiences of South Asian seamen in the two world wars.
The Battle of the Ancre and Advance of the Tanks (1917) is a little known masterpiece of British non-fiction cinema that documents the winter stages of the Somme campaign on the Western Front. The sequel to the famous Battle of the Somme (1916), which covers the opening phase of the campaign, ‘Ancre’ should not be dismissed as Somme II. Although similar to the ‘Somme’, Battle of the Ancre is cinematically the better film and contains haunting images of trench warfare, notably of the mud that beset the trenches in the winter, the waves of troops advancing into no-man’s land, the use of horses and the first views of the tank - the secret weapon which it was hoped would break the deadlock on the Western Front.